Aster Lit: Meridian

Issue 14—Summer 2025


Starlit Award

Each issue, we hope to recognize submissions outstanding in mastery of craft and originality of voice. This issue, the winner of the Starlit Award will receive a monetary award of $100. We are proud to present the Issue 14 Starlit Award for Poetry to Noralee Zwick (United States) and the Starlit Award for prose to Catherine Xue (United States). The honorable mention recipients are Claire Yang (United States) and Michelle Li (United States).

Scroll down to read the rest of Issue 14.

Noralee Zwick

Starlit Award Winner — Poetry

Catherine Xue

Starlit Award Winner — Prose

Michelle Li

Honorable Mention

Claire Yang

Honorable Mention

meridian

n.

a point or period of highest development, greatest prosperity, or the like

Theme Winners

Each issue, we recognize theme winners who we believe demonstrate thoughtful and creative engagement with our theme and sophisticated use of their craft to tell a compelling, unique story. The theme winner for Issue 13 is Roukia Ali (Canada) for prose, and Aldrin Badiola (United States) for poetry.

Read more about the theme here.

Roukia Ali

Aldrin Badiola

Poetry

Themed Poetry

Alma AriezSuddenly Spring

Beatriz Brodsky ad nauseam

Cici Zhang POINT REYES

Ember Jones — Gap Dynamics

Eniola Abdulroqeeb Arowolo — Fire Dances Around the Edges

Malak Askar Ode to H

Sophia Pan — "alter ego: “​​a person's secondary or alternative personality.” -oxford dictionary"

Unthemed Poetry

Ava Clare Ngdinner with best friend

Cici Zhang IN MEMORIAM

Dante de Jong fading flag

Prose

Themed Prose

Catherine Xue漫游 (Roaming)

Roukia Ali Souvenirs for Strangers

Unthemed Prose

Chloe Anya Yang Pungency

Michelle LiWither on the Vine

Artwork

Antrey BradleyDon’t Focus on Me — Distant Memories

Izzah Awan Takbeer

Note from the Editors

“Here’s a comfort in telling yourself something over and over, something that fundamentally stays the same yet has the ability to transmute itself.“—”Souvenirs for Strangers” by Roukia Ali

There’s something so fundamental about repetition, renewal, reinvigoration—from the familiar three-arc structures universal across stories to the biological rhythm of night and day, hunger and satisfaction, aging and reproduction—reprise creates meaning purely from motion: cyclic, reminiscent, resistant, committing to tell this story again and again until it matters. As long as it matters. As long as we live to tell it. Because, as Joan Didion writes, “We tell ourselves stories in order to live.”

Reprise is how we construct meaning—how we give ourselves tomorrow.

According to Noralee Zwick’s “poem in which I cannot rely on my hands,” this process is holy. According to Aldrin Badiola’s “On Fatherhood,” this process is familial. According to Antrey Bradley’s “Don’t Focus on Me” and “Distant Memories,” this process is blurry, mistake-filled, but ultimately a culmination of everything we have ever known.

Reprise “transmutes itself” (“Souvenirs for Strangers” by Roukia Ali): it grows as we grow, it spins and spins like the orbit of the earth we never notice, like the stolen chickens of summer (“How We Live” by Claire Yang), it spins and spins until the piece of paper is folded fifty times and we are two-thirds to the sun. Now thousands of miles from home, gazing at a truncated cosmic wonder with (delivered by Amazon Prime with incredible punctuality) (“漫游 (Roaming)” by Catherine Xue), we are promised another chance to breathe. Another chance to begin.

So rejoice in these reprises, our Asterisks. Rejoice that five years later, we are still writing and reading and loving, from our team to your screen, from your stories to our hearts. Thank you for blessing us with your stories. Thank you for being our reprise.

Follow us on Instagram (@aster.lit) for more literature, artwork, and cross-cultural connections, and we can’t wait to read you next.

We love you. Your voice matters. Keep telling stories.

With all our love,
Emma Zhang (Co-Editor-in-Chief) & the Aster Lit team